Book
of the Dead
Papyrus is a material similar to thick paper that was used in ancient times as a writing surface. It was made from the pith of the papyrus plant, Cyperus papyrus, a wetland sedge. Papyrus (plural: papyri or papyruses) can also refer to a document written on sheets of such material, joined side by side and rolled up into a scroll, an early form of a book.
Papyrus was first known to have been used in Egypt (at least as far back as the First Dynasty), as the papyrus plant was once abundant across the Nile Delta. It was also used throughout the Mediterranean region. Apart from a writing material, ancient Egyptians employed papyrus in the construction of other artifacts, such as reed boats, mats, rope, sandals, and baskets.
HISTORY
Papyrus was first manufactured in Egypt as far back as the fourth millennium
BCE. The earliest archaeological evidence of papyrus was excavated in 2012 and 2013 at Wadi al-Jarf, an ancient Egyptian harbor located on the Red Sea coast. These documents, the Diary of Merer, date from c. 2560–2550 BCE (end of the reign of Khufu). The papyrus rolls describe the last years of building the
Great Pyramid of Giza. In the first centuries BCE and CE, papyrus scrolls gained a rival as a writing surface in the form of parchment, which was prepared from animal skins. Sheets of parchment were folded to form quires from which book-form codices were fashioned. Early Christian writers soon adopted the codex form, and in the Greco-Roman world, it became common to cut sheets from papyrus rolls to form codices.
Codices were an improvement on the papyrus scroll, as the papyrus was not pliable enough to fold without cracking and a long roll, or scroll, was required to create large-volume texts. Papyrus had the advantage of being relatively cheap and easy to produce, but it was fragile and susceptible to both moisture and excessive dryness. Unless the papyrus was of perfect quality, the writing surface was irregular, and the range of media that could be used was also limited.
Papyrus was replaced in Europe by the cheaper, locally produced products parchment and vellum, of significantly higher durability in moist climates, though Henri Pirenne's connection of its disappearance with the Muslim conquest of Egypt between 639 and 646 CE is contested. Its last appearance in the Merovingian chancery is with a document of 692, though it was known in Gaul until the middle of the following century. The latest certain dates for the use of papyrus are 1057 for a papal decree (typically conservative, all papal bulls were on papyrus until 1022), under Pope Victor
II, and 1087 for an Arabic document. Its use in Egypt continued until it was replaced by less expensive paper introduced by the Islamic world who originally learned of it from the Chinese. By the 12th century, parchment and paper were in use in the Byzantine Empire, but papyrus was still an option.
Papyrus was made in several qualities and prices. Pliny the Elder and Isidore of Seville described six variations of papyrus which were sold in the Roman market of the day. These were graded by quality based on how fine, firm, white, and smooth the writing surface was. Grades ranged from the superfine Augustan, which was produced in sheets of 13 digits (10 inches) wide, to the least expensive and most coarse, measuring six digits (four inches) wide. Materials deemed unusable for writing or less than six digits were considered commercial quality and were pasted edge to edge to be used only for wrapping.
Until the middle of the 19th century, only some isolated documents written on papyrus were known, and museums simply showed them as curiosities. They did not contain literary works. The first modern discovery of papyri rolls was made at Herculaneum in 1752. Until then, the only papyri known had been a few surviving from medieval times. Scholarly investigations began with the Dutch historian Caspar Jacob Christiaan Reuvens (1793–1835). He wrote about the content of the Leyden papyrus, published in 1830. The first publication has been credited to the British scholar Charles Wycliffe Goodwin (1817–1878), who published for the Cambridge Antiquarian Society, one of the Papyri Graecae Magicae V, translated into English with commentary in 1853.
PAPYRUS DOCUMENTS
The word for the material papyrus is also used to designate documents written on sheets of it, often rolled up into scrolls. The plural for such documents is papyri. Historical papyri are given identifying names – generally the name of the discoverer, first owner or institution where they are kept – and numbered, such as "Papyrus Harris I". Often an abbreviated form is used, such as "pHarris I". These documents provide important information on ancient writings; they give us the only extant copy of Menander, the Egyptian
Book of the
Dead, Egyptian treatises on medicine (the Ebers Papyrus) and on surgery (the Edwin Smith papyrus), Egyptian mathematical treatises (the Rhind papyrus), and Egyptian folk tales (the Westcar Papyrus). When, in the 18th century, a library of ancient papyri was found in Herculaneum, ripples of expectation spread among the learned men of the time. However, since these papyri were badly charred, their unscrolling and deciphering is still going on today.
MANUFACTURE
Papyrus is made from the stem of the papyrus plant, Cyperus papyrus. The outer rind is first removed, and the sticky fibrous inner pith is cut lengthwise into thin strips of about 40 cm (16 in) long. The strips are then placed side by side on a hard surface with their edges slightly overlapping, and then another layer of strips is laid on top at right angles. The strips may have been soaked in water long enough for decomposition to begin, perhaps increasing adhesion, but this is not certain. The two layers possibly were glued together. While still moist, the two layers are hammered together, mashing the layers into a single sheet. The sheet is then dried under pressure. After drying, the sheet is polished with a rounded object, possibly a stone, seashell, or round hardwood.
Sheets, or Mollema, could be cut to fit the obligatory size or glued together to create a longer roll. The point where the Mollema are joined with glue is called the kollesis. A wooden stick would be attached to the last sheet in a roll, making it easier to handle. To form the long strip scrolls required, a number of such sheets were united, placed so all the horizontal fibres parallel with the roll's length were on one side and all the vertical fibres on the other. Normally, texts were first written on the recto, the lines following the fibres, parallel to the long edges of the scroll. Secondarily, papyrus was often reused, writing across the fibres on the verso. Pliny the Elder describes the methods of preparing papyrus in his Naturalis Historia.
In a dry climate, like that of Egypt, papyrus is stable, formed as it is of highly rot-resistant cellulose, but storage in humid conditions can result in molds attacking and destroying the material. Library papyrus rolls were stored in wooden boxes and chests made in the form of statues. Papyrus scrolls were organized according to subject or author and identified with clay labels that specified their contents without having to unroll the scroll.In European conditions, papyrus seems to have lasted only a matter of decades; a 200-year-old papyrus was considered extraordinary. Imported papyrus once commonplace in Greece and Italy has since deteriorated beyond repair, but papyri are still being found in Egypt; extraordinary examples include the Elephantine papyri and the famous finds at Oxyrhynchus and Nag Hammadi. The Villa of the Papyri at Herculaneum, containing the library of Lucius Calpurnius Piso Caesoninus, Julius Caesar's father-in-law, was preserved by the eruption of Mount Vesuvius, but has only been partially excavated.
Sporadic attempts to revive the manufacture of papyrus have been made since the mid-18th century. Scottish explorer James Bruce experimented in the late 18th century with papyrus plants from Sudan, for papyrus had become extinct in Egypt. Also in the 18th century, Sicilian Saverio Landolina manufactured papyrus at Syracuse, where papyrus plants had continued to grow in the wild. During the 1920s, when Egyptologist Battiscombe Gunn lived in Maadi, outside Cairo, he experimented with the manufacture of papyrus, growing the plant in his garden. He beat the sliced papyrus stalks between two layers of linen, and produced successful examples of papyrus, one of which was exhibited in the Egyptian Museum in Cairo. The modern technique of papyrus production used in Egypt for the tourist trade was developed in 1962 by the Egyptian engineer Hassan Ragab using plants that had been reintroduced into
Egypt in 1872 from France. Both Sicily and Egypt have centres of limited papyrus production.
Papyrus is still used by communities living in the vicinity of swamps, to the extent that rural householders derive up to 75% of their income from swamp goods. Particularly in East and Central Africa, people harvest papyrus, which is used to manufacture items that are sold or used locally. Examples include baskets, hats, fish traps, trays or winnowing mats, and floor mats. Papyrus is also used to make roofs, ceilings, rope, and fences. Although alternatives, such as eucalyptus, are increasingly available, papyrus is still used as fuel.
PARCHMENT
Parchment is a writing material made from specially prepared untanned skins of
animals - primarily sheep, calves, and goats. It has been used as a writing medium for over two millennia. Vellum is a finer quality parchment made from the skins of young animals such as lambs and young calves.
It may be called animal membrane by libraries and museums that wish to avoid distinguishing between parchment and the more-restricted term vellum.
DISTINCTION BETWEEN PARCHMENT & VELLUM
Today the term parchment is often used in non-technical contexts to refer to any animal skin, particularly goat, sheep or cow, that has been scraped or dried under tension. The term originally referred only to the skin of sheep and, occasionally, goats. The equivalent material made from calfskin, which was of finer quality, was known as vellum (from the Old French velin or vellin, and ultimately from the Latin vitulus, meaning a calf); while the finest of all was uterine vellum, taken from a calf foetus or stillborn calf.
Some authorities have sought to observe these distinctions strictly: for example, lexicographer Samuel Johnson in 1755, and master calligrapher Edward Johnston in 1906. However, when old books and documents are encountered it may be difficult, without scientific analysis, to determine the precise animal origin of a skin, either in terms of its species or in terms of the animal's age. In practice, therefore, there has long been considerable blurring of the boundaries between the different terms. In 1519, William Horman wrote in his Vulgaria: "That stouffe that we wrytte upon, and is made of beestis skynnes, is somtyme called parchement, somtyme velem, somtyme abortyve, somtyme membraan." In
Shakespeare's Hamlet (written c. 1599–1602) the following exchange occurs:
Hamlet. "Is not parchment made of sheepskins?"
Horatio.
"Ay, my lord, and of calves' skins too."
Lee Ustick, writing in 1936, commented:
To-day the distinction, among collectors of manuscripts, is that vellum is a highly refined form of skin, parchment a cruder form, usually thick, harsh, less highly polished than vellum, but with no distinction between skin of calf, or sheep, or of goat.
It is for these reasons that many modern conservators, librarians and archivists prefer to use either the broader term parchment, or the neutral term animal membrane.
TREATMENTS
To make the parchment more aesthetically pleasing or more suitable for the scribes, special treatments were used. According to Reed there were a variety of these treatments. Rubbing pumice powder into the flesh side of parchment while it was still wet on the frame was used to make it smooth and to modify the surface to enable inks to penetrate more deeply. Powders and pastes of calcium compounds were also used to help remove grease so the ink would not run. To make the parchment smooth and white, thin pastes (starchgrain or staunchgrain) of lime, flour, egg whites and milk were rubbed into the skins.
Meliora di Curci in her paper, "The History and Technology of Parchment Making", notes that parchment was not always white. "Cennini, a 15th-century craftsman provides recipes to tint parchment a variety of colours including purple, indigo, green, red and peach." The Early medieval Codex Argenteus and Codex Vercellensis, the Stockholm Codex Aureus and the Codex Brixianus give a range of luxuriously produced manuscripts all on purple vellum, in imitation of Byzantine examples, like the Rossano Gospels, Sinope Gospels and the Vienna Genesis, which at least at one time are believed to have been reserved for Imperial commissions.
Many techniques for parchment repair exist, to restore creased, torn, or incomplete parchments.
Between the seventh and the ninth centuries, many earlier parchment manuscripts were scrubbed and scoured to be ready for rewriting, and often the earlier writing can still be read. These recycled parchments are known as palimpsests. Later, more thorough techniques of scouring the surface irretrievably lost the earlier text.
HISTORY OF PARCHMENT
The history of parchment is inseparable from the written word, once it had descended from clay tablets. A subsidiary use was found by scientists, most notably Thomas Graham, who employed parchment for the separation of aqueous solutions he termed dialysis; in this respect, parchment is seen to be akin to sausage casings made from the intestines.
The word parchment evolved (via the Latin pergamenum and the French parchemin) from the name of the city of Pergamon, which was a thriving center of parchment production during the Hellenistic period. The city so dominated the trade that a legend later arose which said that parchment had been invented in Pergamon to replace the use of papyrus which had become monopolized by the rival city of Alexandria. This account, originating in the writings of Pliny the Elder (Natural History, Book XII, 69–70), is false because parchment had been in use in Anatolia and elsewhere long before the rise of Pergamon.
Herodotus mentions writing on skins as common in his time, the 5th century BC; and in his Histories (v.58) he states that the Ionians of Asia Minor had been accustomed to give the name of skins (diphtherai) to books; this word was adapted by Hellenized Jews to describe scrolls.[14] In the 2nd century BC, a great library was set up in Pergamon that rivalled the famous Library of Alexandria. As prices rose for papyrus and the reed used for making it was over-harvested towards local extinction in the two nomes of the Nile delta that produced it, Pergamon adapted by increasing the use of parchment.
Writing on prepared animal skins had a long history, however. David Diringer noted that "the first mention of Egyptian documents written on leather goes back to the Fourth Dynasty (c. 2550–2450 BC), but the earliest of such documents extant are: a fragmentary roll of leather of the Sixth Dynasty (c. 24th century BC), unrolled by Dr. H. Ibscher, and preserved in the Cairo Museum; a roll of the Twelfth Dynasty (c. 1990–1777 BC) now in Berlin; the mathematical text now in the British Museum (MS. 10250); and a document of the reign of Ramses II (early thirteenth century BC)." Though the Assyrians and the Babylonians impressed their cuneiform on clay tablets, they also wrote on parchment from the 6th century BC onward. Rabbinic literature traditionally maintains that the institution of employing parchment made of animal hides for the writing of ritual objects such as the Torah, mezuzah, and tefillin is Sinaitic in origin, with special designations for different types of parchment such as gevil and klaf.
DEAD SEA SCROLLS
The Dead Sea Scrolls, also called the Qumran Caves Scrolls, are a set of ancient Jewish manuscripts from the Second Temple period. They were discovered over a period of 10 years, between 1946 and 1956, at the Qumran Caves near Ein Feshkha in the West Bank, on the northern shore of the Dead Sea. Dating from the 3rd century BCE to the 1st century CE, the Dead Sea Scrolls are considered to be a keystone in the history of archaeology with great historical, religious, and linguistic significance because they include the oldest surviving manuscripts of entire books later included in the biblical canons, along with extra-biblical and deuterocanonical manuscripts that preserve evidence of the diversity of religious thought in late Second Temple Judaism. At the same time, they cast new light on the emergence of Christianity and of Rabbinic Judaism. Almost all of the 15,000 scrolls and scroll fragments are held in the Shrine of the Book at the Israel Museum, located in the city of Jerusalem. The Israeli government's custody of the Dead Sea Scrolls is disputed by Jordan and the Palestinian Authority on territorial, legal, and humanitarian grounds — they were mostly discovered following the Jordanian annexation of the West Bank and were acquired by Israel after Jordan lost the 1967 Arab–Israeli War — whilst Israel's claims are primarily based on historical and religious grounds, given their significance in Jewish history and in the heritage of Judaism.
Many thousands of written fragments have been discovered in the Dead Sea area. They represent the remnants of larger manuscripts damaged by natural causes or through human interference, with the vast majority holding only small scraps of text. However, a small number of well-preserved and near-intact manuscripts have survived — fewer than a dozen among those from the Qumran Caves. Researchers have assembled a collection of 981 different manuscripts (discovered in 1946/1947 and in 1956) from 11 caves, which lie in the immediate vicinity of the Hellenistic Jewish settlement at the site of Khirbet Qumran in the eastern Judaean Desert, in the West Bank. The caves are located about 1.5 kilometres (1 mi) west of the northwestern shore of the Dead Sea, whence they derive their name. Archaeologists have long associated the scrolls with the ancient Jewish sect known as the Essenes, although some recent interpretations have challenged this connection and argue that priests in Jerusalem, or Zadokites, or other unknown Jewish groups wrote the scrolls.
Most of the manuscripts are written in Hebrew, with some written in Aramaic (for example the Son of God Text; in different regional dialects, including Nabataean) and a few in Greek. Discoveries from the Judaean Desert add Latin (from Masada) and Arabic (from Khirbet al-Mird). Most of the texts are written on parchment, some on papyrus, and one on copper. Though scholarly consensus dates the Dead Sea Scrolls to between the 3rd century BCE and the 1st century CE, there are manuscripts from associated Judaean Desert sites that are dated to as early as the 8th century BCE and as late as the 11th century CE. Bronze coins found at the same sites form a series beginning with John Hyrcanus, a ruler of the Hasmonean Kingdom (in office 135–104 BCE), and continuing until the period of the First Jewish–Roman War (66–73 CE), supporting the paleography and radiocarbon dating of the scrolls.
Owing to the poor condition of some of the scrolls, scholars have not identified all of their texts. The identified texts fall into three general groups:
- About 40% are copies of texts from Hebrew scriptures.
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Approximately another 30% are texts from the Second Temple period that ultimately were not canonized in the Hebrew Bible, like the Book of Enoch, the Book of Jubilees, the Book of Tobit, the Wisdom of Sirach, Psalms 152–155, etc.
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The remainder (roughly 30%) are sectarian manuscripts of previously unknown documents that shed light on the rules and beliefs of a particular sect or groups within greater Judaism, like the Community Rule, the War Scroll, the Pesher on Habakkuk, and The Rule of the Blessing.
DATING OF THE DEAD SEA SCROLLS
Parchment from a number of the Dead Sea Scrolls has been carbon dated. The initial test performed in 1950 was on a piece of linen from one of the caves. This test gave an indicative dating of 33 CE plus or minus 200 years, eliminating early hypotheses relating the scrolls to the medieval period. Since then two large series of tests have been performed on the scrolls themselves. The results were summarized by VanderKam and Flint, who said the tests give "strong reason for thinking that most of the Qumran manuscripts belong to the last two centuries BCE and the first century CE."
Analysis of letter forms, or palaeography, was applied to the texts of the Dead Sea Scrolls by a variety of scholars in the field. Major linguistic analysis by Cross and Avigad dates fragments from 225 BCE to 50 CE. These dates were determined by examining the size, variability, and style of the text. The same fragments were later analyzed using radiocarbon dating and were dated to an estimated range of 385 BCE to 82 CE with a 68% accuracy rate.
REFERENCE
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