Thonis-Heracleion was
Egypt’s greatest port for much of the first millennium B.C. before
Alexander the Great established Alexandria in 331 B.C. Then it vanished beneath
the sea in 365 A.D. hiding
the
location of Queen Cleopatra's tomb - a long
lost mystery - until now.
WILLIAM
SHAKESPEARE'S
PLAY - ANTHONY AND CLEOPATRA - FULL TEXT
ACT I
SCENE I. Alexandria. A room in CLEOPATRA's palace.
SCENE II. Alexandria, Cleopatra's Palace. Another room. Enter
CHARMIAN, IRAS, ALEXAS, and a Soothsayer
SCENE III. Alexandria, Cleopatra's Palace. Another room.
Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS
SCENE IV. Rome. OCTAVIUS CAESAR's house. Enter OCTAVIUS CAESAR, reading a letter, LEPIDUS, and their Train
SCENE V. Alexandria. CLEOPATRA's
palace. Enter CLEOPATRA, CHARMIAN, IRAS, and MARDIAN
ACT II
SCENE I. Messina. POMPEY's house. Enter POMPEY, MENECRATES, and MENAS, in warlike manner
SCENE II. Rome. The house of LEPIDUS. Enter DOMITIUS ENOBARBUS and LEPIDUS
SCENE III. The same. OCTAVIUS CAESAR's house.
Enter ANTONY, OCTAVIUS , OCTAVIA, and Attendants
SCENE IV. The same. A street.
Enter LEPIDUS, MECAENAS, and AGRIPPA
SCENE V. Alexandria. CLEOPATRA's palace.
Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS
SCENE VI. Near Misenum.
Pompey Menas at one door, Caesar, Anotony, Lepidus, Enobarbus,
Mecaenas
SCENE VII. On board POMPEY's galley, off Misenum. Music plays. Enter two or three Servants with a banquet
ACT III
SCENE I. A plain in Syria.
Enter VENTIDIUS with SILIUS, other
Romans, Officers, Soldiers; body of PACORUS
SCENE
II. Rome. An ante-chamber in OCTAVIUS CAESAR's house. AGRIPPA at one door,
ENOBARBUS at another
SCENE III. Alexandria. CLEOPATRA's palace.
Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS
SCENE IV. Athens. A room in MARK ANTONY's house. Enter MARK ANTONY and OCTAVIA
SCENE V. The same. Another
room. Enter DOMITIUS ENOBARBUS and EROS, meeting
SCENE VI. Rome. OCTAVIUS CAESAR's house.
Enter OCTAVIUS CAESAR, AGRIPPA, and MECAENAS
SCENE VII. Near Actium. MARK ANTONY's camp. Enter CLEOPATRA and DOMITIUS ENOBARBUS
SCENE VIII. A plain near Actium.
Enter OCTAVIUS CAESAR, and TAURUS, with his army, marching
SCENE IX. Another part of the plain.
Enter MARK ANTONY and DOMITIUS ENOBARBUS
SCENE X. Another part of the plain.
CANIDIUS marcheth army and
TAURUS, lieutenant CAESAR. Noise of a sea-fight.
SCENE XI. Alexandria. CLEOPATRA's palace.
Enter MARK ANTONY with Attendants
SCENE XII. Egypt. OCTAVIUS CAESAR's camp.
Enter OCTAVIUS CAESAR, DOLABELLA, THYREUS, with others
SCENE XIII. Alexandria. CLEOPATRA's palace.
Enter CLEOPATRA, ENOBARBUS, CHARMIAN, and IRAS
ACT IV
SCENE I. Before Alexandria. OCTAVIUS CAESAR's camp.
Enter CAESAR, AGRIPPA, MECAENAS, Army; CAESAR reading
SCENE II. Alexandria. CLEOPATRA's palace.
Enter ANTONY, CLEOPATRA, ENOBARBUS, CHARMIAN, IRAS, ALEXAS
SCENE III. The same. Before the palace.
Enter two Soldiers to their guard
SCENE IV. The same. A room in the palace.
Enter ANTONY and CLEOPATRA, CHARMIAN, others attending
SCENE V. Alexandria. MARK ANTONY's camp.
Trumpets. Enter MARK ANTONY and EROS; Soldier meeting
SCENE VI. Alexandria. OCTAVIUS CAESAR's camp.
Flourish. Enter OCTAVIUS, AGRIPPA, with ENOBARBUS, and others
SCENE VII. Field of battle between the camps.
Alarum. Drums and trumpets. Enter AGRIPPA and others
<<<<<
SCENE VIII. Under the walls of Alexandria.
Alarum. Enter MARK ANTONY, in a march; SCARUS, with others
SCENE IX. OCTAVIUS CAESAR's camp. Sentinels at their post
First Soldier
If we be not relieved within this hour,
We must return to the court of guard: the night
Is shiny; and they say we shall embattle
By the second hour i' the morn.
Second Soldier
This last day was
A shrewd one to's.
Enter DOMITIUS ENOBARBUS
DOMITIUS ENOBARBUS
O, bear me witness, night,--
Third Soldier
What man is this?
Second Soldier
Stand close, and list him.
DOMITIUS ENOBARBUS
Be witness to me, O thou blessed moon,
When men revolted shall upon record
Bear hateful memory, poor Enobarbus did
Before thy face repent!
First Soldier
Enobarbus!
Third Soldier
Peace!
Hark further.
DOMITIUS ENOBARBUS
O sovereign mistress of true melancholy,
The poisonous damp of night disponge upon me,
That life, a very rebel to my will,
May hang no longer on me: throw my heart
Against the flint and hardness of my fault:
Which, being dried with grief, will break to powder,
And finish all foul thoughts. O Antony,
Nobler than my revolt is infamous,
Forgive me in thine own particular;
But let the world rank me in register
A master-leaver and a fugitive:
O Antony! O Antony!
Dies
Second Soldier
Let's speak To him.
First Soldier
Let's hear him, for the things he speaks
May concern Caesar.
Third Soldier
Let's do so. But he sleeps.
First Soldier
Swoons rather; for so bad a prayer as his
Was never yet for sleep.
Second Soldier
Go we to him.
Third Soldier
Awake, sir, awake; speak to us.
Second Soldier
Hear you, sir?
First Soldier
The hand of death hath raught him.
Drums afar off
Hark! the drums
Demurely wake the sleepers. Let us bear him
To the court of guard; he is of note: our hour
Is fully out.
Third Soldier
Come on, then;
He may recover yet.
Exeunt with the body
SCENE X. Between the two camps.
Enter MARK ANTONY and SCARUS, with their Army
>>>>>
CLONED
REPLICANT - Using the latest technology in computer genome mapping and
digital DNA splicing, a brotherhood of progressive scientists reincarnate Cleopatra
VII, who died in 30BC, having located and plundered her sarcophagus from
its watery grave. The resurrected Pharaoh has to mesh with the modern
world she's been reborn into, against antagonists various, including the
CIA and Vatican.
    
    
  
   
    
    
   
  
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